
But clearly the screen be a fatal threat to the stage, and to defend itself from extinction, the theatre renovated itself with versatile new forms and techniques, and in doing so it also went through a series of evolution, which finds its completion in the modern stage. The film promoter and the stage mover are necessarily not the same. In The Work of prowess in the Age of Mechanical Reproduction, benjamin tries to defi ne the film actor with the tending of a quo! te of Pirandello; The film actor feels as if in exile-exiled not only from the stage exactly also from himself. With a vague sense of discomfort he feels inexplicable nihility: his body loses its corporeality, it evaporates, it is deprived of reality, life, voice, and the noises caused by his touching about, in golf club to be changed into a mute image, flitter an instant on the screen, then vanished into silence...The projector will play with his...If you regard to get a full essay, order it on our website: OrderCustomPaper.com
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